The glitchworld is an area in the Pizzeria Roleplay Remastered. It has several entrances in all maps. The glitchworld mimicks the appearance of the Flipside from FNAF World. In the center is a large platform that is black on top and neon blue on the sides. Most platforms in the glitchworld take this appearance. On the center platform are blue stumps and grass scattered about. The Sub-Tunnels are a series of four worlds in FNaF World, commonly known as the 'Glitch Worlds', and the 'Flipside', that the player must go inside in order to take shortcuts to other places of the overworld. Fredbear explains them in the beginning of the game. In the rest of the game, he will warn the player to not go down to more than 3 glitches, as the player will be stuck in the 4th sub.

Zahra Rasool

Immersive stories through justice and journalism

Gayatri Kodikal

Excavating the ruins of history, time, and play

Francis Tseng

Towards just futures through simulation

Milan & Neilson Koerner-Safrata

The myth and poetry of game engines

Foreign Objects

Creating artifacts from our networked world

Elizabeth LaPensée

Enacting sovereignty through play

Andrew Thomas Huang

Assembling universes with magic and motion

Keiken

Towards new collective belief through CGI cinema

Jessica Shamash

Immersive storytelling is about the characters, not the tech

Party Chat

The fashion line sneaks into Grand Theft Auto

Kareem Ettouney

Imbuing gameplay with impressionism

Studio Oleomingus

Deconstructing colonial histories

The Swing and the Super Ball

How the world-famous duo Ray and Charles Eames pulled design inspiration from children’s toys

Fernando Ramallo

On the boundary of sound and interaction

Vassiliki and Navid Khonsari

Making mediums the message

Paula Rogers

Crafting a world of emotional survival

Theo Triantafyllidis

Clashing real-time graphics with live performance

Cassie McQuater

The textures and tensions of game design

Saskia Wilson-Brown

Investigating the experience of scent

Meara O’Reilly

The perception, memory, and illusion of sound

Samantha Gorman

Bringing the present moment into VR

Paloma Dawkins

Seeing the natural world through games

Yuri Suzuki

A friendly approach to synthesizing sound